• COMA is pleased to present a solo exhibition by Mexican artist Jose Dávila (b.1974), titled, Physics of Uncertainty, on view Friday 11 April - 10 May. This is the artist's first solo presentation with the gallery and in Australia. 

     

    Physics of Uncertainty examines the ways in which material forces interact with one another, exploring the tension between stability and collapse. The work focuses on the subtle dynamics of balance, gravity, and fragility—forces that resist predictability and control. At the core of this exhibition is an ongoing investigation into the structural principles that underpin both physical reality and metaphor. Gravity, while a fundamental force, also serves as a symbol of tension and limits, framing the exploration of human vulnerability and impermanence.

     

    View Artist Overview Here.

  • The act of placing objects—positioning materials in relation to one another—becomes the fundamental gesture of creation. This simple, primordial action initiates the emergence of form, drawing attention to the relationship between disparate elements and the delicate negotiation between weight and lightness. The sculptures and paintings in this exhibition reflect this interest in form as a result of interplay and tension, not rigid design. Here, uncertainty is not only a physical phenomenon but a conceptual one, inviting the viewer to contemplate the space of not-knowing where curiosity and creativity take root.


    The materials chosen for this body of work—steel, rock, concrete, and mirrored surfaces— are selected for both their weight and symbolic resonance. Through friction, compression, and gravity, these materials form precarious structures, where presence and potential collapse coexist in a delicate balance. These works address both the physical experience of instability and its symbolic resonance, offering an exploration of transformation and the limits of form.

  • 'It came to me through a simple reflection, that gravity is one of the main forces for making matter circular'...

    "It came to me through a simple reflection, that gravity is one of the main forces for making matter circular"

     

    Jose Dávila has presented solo exhibitions at the Museum Haus Konstruktiv, Zürich, Switzerland; the Dallas Contemporary, Texas; the Museo Universitario del Chopo, Mexico City; and the Museo del Novecento, Florence, amongst others. His work is in the permanent collection of numerous institutions including the Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Inhotim, Brumadinho, Brazil; the Perez Art Museum, Miami, Florida; the Buffalo AKG Art Museum, Buffalo, New York; the San Antonio Museum of Art, San Antonio, Texas, the Solomon R. Guggenheim Museum, New York; the Centre Pompidou, Paris; Hamburg Kunsthalle, Hamburg; the Zabludowicz Collection, London; and the Museum of Modern Art, Luxembourg. Dávila was the winner of the 2016 BALTIC Centre for Contemporary Art’s New Annual Artists’ Award, the 2014 EFG ArtNexus Latin America Art Award, and has been the recipient of support from the Andy Warhol Foundation, a Kunstwerke residency in Berlin, and the National Grant for young artists by the Mexican Arts Council (FONCA) in 2000.

  • The accompanying paintings, executed on raw loomstate linen, delve into geometric forms and circular motifs. With some pieces large and...
    Jose Dávila
    The fact of constantly returning to the same point or situation, 2022
    28.3 x 35 x 3 cm 70 11 1/8 x 13 3/4 x 1 1/8 in

    The accompanying paintings, executed on raw loomstate linen, delve into geometric forms and circular motifs. With some pieces large and others small, the paintings build upon repeated forms and circular geometries found throughout art history. These cyclical patterns evoke a sense of return, each iteration revealing a slight variation, shift in colour, or nuanced layer of meaning. The artist’s approach is not one of direct imitation but of translation, drawing from a living archive of art history to reconfigure and reinterpret established visual languages.

  • Artworks
    • Jose Dávila The fact of constantly returning to the same point or situation, 2024 silkscreen print and vinyl paint on loomstate linen 234 x 190 x 6 cm 92 1/8 x 74 3/4 x 2 3/8 in
      Jose Dávila
      The fact of constantly returning to the same point or situation, 2024
      silkscreen print and vinyl paint on loomstate linen
      234 x 190 x 6 cm
      92 1/8 x 74 3/4 x 2 3/8 in
    • Jose Dávila Aporía, 2025 metal, epoxy paint, marble, and one way mirror 190 x 156.5 x 90 cm 74 3/4 x 61 5/8 x 35 3/8 in
      Jose Dávila
      Aporía, 2025
      metal, epoxy paint, marble, and one way mirror
      190 x 156.5 x 90 cm
      74 3/4 x 61 5/8 x 35 3/8 in
    • Jose Dávila The Act of Perseverance , 2025 concrete, volcanic rock, and ratchet strap 172.5 x 56 x 76 cm 67 7/8 x 22 x 29 7/8 in
      Jose Dávila
      The Act of Perseverance , 2025
      concrete, volcanic rock, and ratchet strap
      172.5 x 56 x 76 cm
      67 7/8 x 22 x 29 7/8 in
    • Jose Dávila The exception that proves the rule, 2025 concrete and boulder 157 x 98 x 44 cm 61 3/4 x 38 5/8 x 17 3/8 in
      Jose Dávila
      The exception that proves the rule, 2025
      concrete and boulder
      157 x 98 x 44 cm
      61 3/4 x 38 5/8 x 17 3/8 in
    • Jose Dávila Untitled, 2025 metal and boulder 174 x 225 x 48 cm 68 1/2 x 88 5/8 x 18 7/8 in
      Jose Dávila
      Untitled, 2025
      metal and boulder
      174 x 225 x 48 cm
      68 1/2 x 88 5/8 x 18 7/8 in