Teresa Baker's practice is highlighted in Artnet's article, 'First Looks at the 2026 Whitney Biennial: Politics, Memory, and Unexpected Emotion'.
"Teresa Baker, of the Mandan/Hidatsa nation, incorporates foraged twigs and buffalo hide hunted by her father into her large-scale works on synthetic turf, imbuing each piece with a tension between the natural and artificial."
Read the full article here.
11 Mar 2026
