Teresa Baker (Mandan/Hidatsa, b. 1985) is featured in The Observer article 'Anna Tsouhlarakis and Native Visibility at the Whitney Biennial' by Petala Ironcloud.
"Together, the Biennial’s Indigenous cohort asserts a shared presence, each artist negotiating monumentality and abstraction in ways that honor heritage and contemporary life. The Harvest Melting On Our Tongue (2025) and To The Morning Light (2025) are Teresa Baker’s large astroturf and yarn-embellished works that gesture to monumentality through landscape and cosmology."
Read the full article here.

